Μαρμάρινο άγαλμα του Διαδούμενου (εφήβου που δένει κορδέλα στο κεφάλι του) και της Κλυτίας
Νικόλ Τσαμπέλ
The artist has fabricated two supports that would typically be seen accompanying classical Western figures in the contrapposto pose. By choosing to omit the human figure from the sculpture, the artist invites the viewer to create a new narrative for the object.